

Alex from New Jersey, NjAs a fan of Howlin' Wolf as well as Led Zeppelin, I decided to answer some questions about the song Killing Floor.) And yes, I did think of this song when I saw the title of the collection. While Led Zeppelin's song was not on there, I think this is a collection they might've enjoyed. Stefanie from Rock Hill, ScSo, I found a collection of blues and R&B sex songs called Let me Squeeze Your Lemon.Just snarling, bare, stripped down sex, and kickin blues done by all four of them. None of the rubbish about hobbits, vikings, and conquering armies of Mordor. This song is really a rather unknown Zep track compared to "Stairway" and "Rock n Roll" and the like, but I think it's one of their best. He is playing what I like to call "lead bass", in that he's got his own melody but he's fitting it perfectly around Page's guitar parts. Page's great production work and keen ear, you will find JPJ's work about the funkiest of all Zep tracks. Joe from North Olmsted, OhIf you isolate the bass track, which is rather easy to do on a good stereo since pretty much all of Led Zeppelin's tracks are well recorded and well mixed thanks to Mr.Thomas from Roswell, NmWhen I saw the title to the third track on Led Zeppelin II I asked myself, "Why in the hell would anybody ever write a song about a damn lemon?" Then I listened to the track and thought, "Oh my God, this song kicks ass.".Rich from Portsmouth, NhFor Zep, lemon juice implied something, just as Trampled Underfoot was about a hot car! (hot _rod_!)In 1969 we must have worn out ten phono needles playing their first album!.

Josh from Champaign, IlRumor has it that Robert Plant stuffed a lemon in his denim trousers for all the ladies to admire while he sang on stage.Sim from Cleveland RocksSome of the best baselines to ever be recorded.Nice to see so many comments regarding his work on this track. As far as bass lines go.JPJ is amazing across the board, in any other act he'd stand out, but in an act with three other afficionados, seems he sometimes is a bit underappreciated. Interesting that they decided to name the song after the added verse, though I read elsewhere that European first pressings listed the song as "Killing Floor". The last verse, however, lifted from Robert Johnson's "Traveling Riverside Blues". Phill from Florida KeysMost lyrics and primary theme lifted from Howlin' Wolf's "Killing Floor" as many have noted.Howlin' Wolf – vocals, harmonica, guitar.Recorded in Chicago on J(track 9), J(track 5), December 1957 (tracks 3 & 4), Septem(track 7), Aug(tracks 8 & 10), August 1964 (track 1, 2 & 6) and Ap(tracks 11 & 12)."Three Hundred Pounds of Joy" (Dixon) – 2:59.Track listing Īll compositions credited to Chester Burnett except where noted Opening with the savage "Killing Floor," the album doesn't let up in intensity, and it happily focuses on Wolf's less-anthologized sides, which gives the album a freshness a lot of blues compilations lack". The Howlin' Wolf entry is possibly the best of the batch, and one of the best introductions to this mercurial electric bluesman.
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The AllMusic review stated: "In the mid-'60s, Chess Records released a great series of compilations of '40s and '50s singles by some of its best blues artists, all of them called The Real Folk Blues.
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The album's songs, which were originally issued as singles, were recorded in Chicago between 19. The Real Folk Blues is a compilation album by blues musician Howlin' Wolf, which was released by Chess Records in 1965.
